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Explaining Magic
Curated by Janet Riker and Meridith McNeal
Thursday, November 13, 2003 through Saturday, December 27, 2003
Admission is FREE
OPENING NIGHT RECEPTION:
Thursday, November 13 - 6pm-9pm
SPECIAL EVENT:
Friday, December 12 - 7pm
Writer Nelly Reifler organized a free evening of interpretive readings from new and classic literature.
Curatorial Statement
Exhibition Checklist
Gallery Location/Directions
Acknowledgements
Curatorial Statement
Conjurers, illusionists, enchanters-like these evocative entertainers, the artists in Explaining Magic changed the known into the unknown. They ground their work in the everyday world in the same way that fairy tales and dreams often have their roots in the familiar. Stepping into the gallery space, each viewer was reminded of his or her own creative capacity to wonder. Explaining Magic included three large-scale installations created specifically for the Rotunda Gallery by Kanik Chung, Ik-Joong Kang and Mary Temple.
Kanik Chung's works included his construction Martha Stewart Celebrating the Birth of Christ, a witty, visual surprise that turns the pop-culture icon and her Christmas decorations into a rose window for a consumer cathedral. His installation turned viewer expectations upside-down with a full-sized crystal chandelier springing from the floor of the gallery.
Dawn Clements's black and white drawing meticulously recreated a bookshelf in the artist's home in a surreal combination of realistic detail and skewed, cartoonish perspective.
Michael Houston creates mixed media images that might be called graffiti still-lifes; they evoke the thick black lines and overlapping, colorful images of street taggers. Houston's work was also represented in a video piece by the Barnstormers art collective; the group paints graffiti-inspired images on a floor, layer after layer, until they become a breath-taking time-lapse ballet of swirling movement and color.
Ik-Joong Kang's awe-inspiring installation Buddha Learning English was a curving wall of small painted wood tiles, each adorned with small objects of personal significance, literally humming with movement.
Peter Krashes's oil paintings evoked the distorted, liquid view of reality found in fun-house mirrors and rippling water, or landscapes glimpsed in the corner of one's eye.
Zoë Sheehan Saldaña makes tiny works in cross-stitch that defy the typical approach to this craft, with mysterious images of crowds and flights of birds lifting off from a field. Also included were ink drawings from her series about the most dangerous areas of American life-most dangerous herb, career or city-each of them shown to be shockingly banal.
Rachel Selekman breathed new life into antique materials, building sculptures from vintage brass, steel and metallic thread that recreate the shimmering flow and spray of water.
Mary Temple created illusory wall paintings, startling in their convincing rendering of shadows cast by window light. Shapes in bright relief fall across the angles of a wall, confounding the viewer since there is no window light to create them.
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Exhibition Checklist
Unless otherwise noted all works are from the collection of the artists; dimensions are given in inches (height x width x depth).
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Click on thumbnails
for larger image
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The Barnstormers
Watching Paint Dry, 2000
Video
$10 per tape
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Kanik Chung
Fountain, 2003
Crystal chandelier, tin ceiling, glue
Dimensions variable
Price available upon request
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Detail
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Fountain, 2002
Graphite on paper
39 x 50
$2,000
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Fountain, 2002
Graphite on paper
39 x 50
$2,000
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Fountain, 2002
Graphite on paper
39 x 50
$2,000
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Fountain, 2002
Graphite on paper
39 x 50
$2,000
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Martha Stewart Celebrates the Birth of Christ 2002
Magazine pages, ink on paper
50 x 32
$5,000
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Detail
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Dawn Clements
Shelves, 2003
Sumi ink on paper
173 x 34½
$5,800
Courtesy of Pierogi Gallery
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Michael Houston
Untitled, 2003
Mixed media on paper
16 x 19
$400
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Detail
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Untitled, 2003
Mixed media on paper
16 x 19
$400
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Detail
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Untitled, 2003
Mixed media on paper
16 x 19
$400
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Detail
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Untitled, 2003
Mixed media on paper
16 x 19
$400
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Detail
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Untitled, 2003
Mixed media on paper
16 x 19
$400
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Detail
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Ik-Joong Kang
Buddha learning English, 1992-2003
Mixed media on wood
168 x 120 x 60
NFS
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Detail
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Peter Krashes
Untitled, 2001
Oil on linen
24 x2 4
$2,500
Courtesy of Derek Eller Gallery
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Untitled, 2001
Oil on linen
38 x 104
$6,000
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Detail
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Zoë Sheehan Saldaña
Flock, 1999-2002
Cross-stitch on linen
4 x 7½
NFS
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Detail
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Untitled (people), 1999
Cross-stitch on linen
4 x 9
NFS
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Detail
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Mount Rainier (America's most dangerous volcano), 2003
Ink on Vellum
19 x 24
$750
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Detail
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St. Louis (America's most dangerous city), 2003
Ink on Vellum
19 x 24
$750
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Detail
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Timber Cutter (America's most dangerous job), 2003
Ink on Vellum
19 x 24
$750
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Detail
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Ephedra (America's most dangerous herb), 2003
Ink on Vellum
19 x 24
$750
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Detail
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Rachel Selekman
Cascade, 2003
Charcoal, glass beads, thread on paper
73 x 45
$2,800
Courtesy of Priska C. Juschka Fine Art
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Detail
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Woven Spray, 1999
Brass watering can spouts, metallic thread, steel
4 x 13¼x 29½
$2,800
Courtesy of Priska C. Juschka Fine Art
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Detail
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Mary Temple
Window Sculpture: North Wall, Southeast Light, 2003
Interior latex paint on wall
Dimension variable
NFS
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Detail
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The purchase of artwork is an important way individuals can support contemporary artists and share their work with others. The Rotunda Gallery is a not-for-profit exhibition space and retains 20% of the proceeds of sales to help underwrite its exhibitions and educational programs. Please ask the gallery sitter if you would like additional information.
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Gallery Location/Directions
The Rotunda Gallery (33 Clinton Street, Brooklyn Heights), housed in an award-winning space designed by Smith-Miller + Hawkinson, showcases the work of Brooklyn artists. The Rotunda Gallery's educational programs reach 6,000 students each year with gallery visits and in-school art making projects. The Rotunda Gallery is a project of the not-for-profit BRIC/Brooklyn Information & Culture, Inc.
Located in Brooklyn Heights, just over the Brooklyn and Manhattan Bridges, the Gallery is also easily accessible by public transportation. It is a short walk from the 2,3; 4,5; M; N or R trains at the Court Street/Borough Hall station; or the A, C trains at High Street.
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Acknowledgements
The Rotunda Gallery is grateful for the generous support of our exhibition and education programs from Astoria Federal, the Sally and Milton Avery Foundation, Bloomberg L.P., Con Edison, Forest City Ratner Companies, the William Randolph Hearst Foundations, the Independence Community Foundation, the Andrew W. Mellon Foundation, the New York Community Trust, the New York Times Foundation, JP Morgan Chase, the Pepsi-Cola/Hip-Hop Summit Partnership, the Rush Philanthropic Arts Foundation, Verizon, the Andy Warhol Foundation for the Visual Arts, as well as numerous individuals.
Programs are made possible in part by public funds from the National Endowment for the Arts, New York City Department of Cultural Affairs with support from Brooklyn Borough President Marty Markowitz and the Brooklyn Delegation to the New York City Council, and the New York State Council on the Arts.
The Rotunda Gallery is a program of BRIC/Brooklyn Information & Culture
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